观看记录清空
    • 视频
    • 资讯
    正在加载...

    如有无法播放请切换视频解析接口

    权限验证通过

    提示:购买VIP会员组,享受超级权限,谢谢支持。

    • 播放列表
    • 【勿信视频中任何广告!!!】
    • 报错


    3.0HD中字

    不安

    查看详情

    扫描二维码手机看大片

    当前网页二维码

    Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

    相关热播

    • 2.0HD第一个周日艾斯·库珀,雷吉娜·赫尔,P.J.,Byrne,崔西·摩根,卡特·威廉姆斯
    • 10.0HD杀人自白艾丹·碧丝朵,Nicholas,Urda,Andres,Montejo,Bianca,Soto,马修·贝克,Dana,Belmont,Steve,Boghossian,Jim,Cairl,Margeaux,Dupuy,Erica,Duke,Forsyth,Skylar,Fray,Henry,Hernandez,Stuart,Fray,Logan,C.,Kenney,Giovani,Lowe,Marisa,Lowe,Phillip,Richards,Kitty,Robertson,Lourdes,Sever
    • 2.0HD中字诗人丹尼尔·希梅内斯·卡乔,格里塞尔达·西齐利亚尼,西蒙娜·拉马德里德,伊克尔·桑切斯·索拉诺,安德烈·阿尔梅达,奥马尔·莱瓦,玛尔·卡雷拉,豪尔赫·吉迪,雨果·阿伯瑞斯,Grace,Shen,Grantham,Coleman,Meteora,Fontana,Edison,Ruíz,Donagh,Gordon,Misha,Arias,De,La,Cantolla,Daniel,Damuzi,Clementina,Guadarrama
    • 1.0HD中字在我走之前西恩·威廉·斯科特,奥莉薇·瑟尔比,凯特·沃什,加瑞特·迪拉胡特,凯尔·加尔纳,罗伯·里格尔,伊万·罗斯,康妮·史蒂文斯,大卫·阿奎特,杰克·奎德,米西·派勒,伊丽莎·库斯伯特,格里芬·格鲁克,克利奥·金,克兰西·布朗,贝丝·格兰特,杰克·麦吉,乔治·芬,赖安·哈特维希,诺亚·芒克
    • 5.0HD国语河长牛犇,吕良伟
    • 6.0HD中字马克斯之山中井贵一,萩原圣人,古尾谷雅人

    RSS订阅 - 百度蜘蛛 - 谷歌地图 - 神马爬虫 - 搜狗蜘蛛 - 奇虎地图 - 必应爬虫

    本网站内容均收集于互联网,【星星影院】不承担任何由于内容的合法性及健康性所引起的争议和法律责任。欢迎大家对网站内容侵犯版权等不合法和不健康行为进行监督和举报。
    版权投诉邮箱:123456@gmail.com

    © 2024 www.9kbo.com Theme by 星星影院